Vintage Inspiration, Modern Execution.
The Compadre design project started with a study of some of the finest analog compressors ever created, inspiring and guiding our circuit design process. Utilizing a VCA in the compression circuits allowed us to carefully tune the exact response and dynamics we desired for each voicing.
For Studio mode, our goal was to achieve the musical and transparent sound found within our favorite studio rack units and the best vintage studio console bus compression. Careful tuning of our detection circuit granted us exacting control over decay, especially important for Squeeze mode. With ample sustain on tap, we paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.
Independent Boost and Compression
For maximum versatility, Compadre allows you to use its Boost and Compression either together or independently from one another. In this way Compadre is truly two pedals in one. Put that together with the ability to store and recall presets using or MIDI, and the possibilities are limitless.
Analog or Digital? We chose both.
From the Class A JFET input circuit, to the VCA-based compression, to the Clean Boost and the diode soft clipping Dirty Boost, every aspect of Compadre’s audio signal processing is fully analog, with premium quality components, design, and workmanship throughout. The audio signal is never converted to or from digital.
In Compadre, the digital aspect comes in the form of digital control and programmability. By converting digital control messages to analog control voltages, we can offer full MIDI control and recallable presets while preserving a completely analog signal path from end to end.